000 | 04443cam a2200529 a 4500 | ||
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001 | ocm38566266 | ||
003 | OCoLC | ||
005 | 20140602131455.0 | ||
008 | 980224s1998 nhu b 000 0 eng | ||
010 | _aRJ505.P89 R64 1998 | ||
020 | _a0325000026 | ||
020 | _a9780325000022 | ||
040 |
_aDLC _beng _cDLC _dBAKER _dBTCTA _dYDXCP _dNNG _dNMC _dBDX _dIAK _dOCLCF |
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050 | 0 | 0 |
_aRJ505.P89 _bR64 1998 |
082 | 0 | 0 |
_a616.89/1523/0835 _221 |
100 | 1 | _aRohd, Michael. | |
245 | 1 | 0 |
_aTheatre for community, conflict & dialogue : _bthe Hope is Vital training manual / _cMichael Rohd ; [foreword by Doug Paterson]. |
246 | 3 | _aTheatre for community, conflict, and dialogue | |
246 | 3 | 0 | _aHope is Vital training manual |
260 |
_aPortsmouth, NH : _bHeinemann, _cc1998. |
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300 |
_axxi, 150 p. ; _c23 cm. |
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504 | _aIncludes bibliographical references (p. 147-148). | ||
505 | 0 | _aForeword / by Doug Paterson -- Preface -- Introduction -- Warm-ups -- Energy and focus work -- Trust work -- Bridge work -- Improvisation -- Activating material -- Facilitation -- Peer education -- One last story -- Appendix A: Performance workshop feedback sheet -- Appendix B: Sample plans -- Appendix C: Resource books -- Appendix D: Resources : contacts. | |
520 | 1 | _a"The first step forward in working with today's youth is to create a dialogue, and that is exactly what this book does. It shows how to provide opportunities for young people to open up and explore their feelings through theatre, offering a safe place for them to air their views with dignity, respect, and freedom." "The purpose of this manual is to provide a clear look at the process and specifics involved in Hope Is Vital interactive theatre techniques. The organization is sequential, providing a blueprint for creating a workable plan. Beginning with warm-up exercises and bridging activities, the process moves forward to improvisational scene work, where participants actually replace characters in the stories. It is at this point that young people engage in making theatre and look at choices, strategies, and communication." "Teachers will want to read this book. Theatre artists will want to read this book. Counselors will want to read this book. Community leaders will want to read this book. Theatre for Community, Conflict, and Dialogue speaks to all of them. It is useful in any group setting or as a tool for outreach."--BOOK JACKET. | |
610 | 2 | 0 | _aHope is Vital (Organization) |
610 | 2 | 7 |
_aHope is Vital (Organization) _2fast |
650 | 0 |
_aDrama _xTherapeutic use. |
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650 | 0 | _aGroup psychotherapy for teenagers. | |
650 | 0 | _aParticipatory theater. | |
650 | 0 | _aTheater and youth. | |
650 | 0 | _aDrama in education. | |
650 | 7 |
_aDrama in education. _2fast |
|
650 | 7 |
_aDrama _xTherapeutic use. _2fast |
|
650 | 7 |
_aGroup psychotherapy for teenagers. _2fast |
|
650 | 7 |
_aParticipatory theater. _2fast |
|
650 | 7 |
_aTheater and youth. _2fast |
|
710 | 2 | _aHope is Vital (Organization) | |
776 | 0 | 8 |
_iOnline version: _aRohd, Michael. _tTheatre for community, conflict & dialogue. _dPortsmouth, NH : Heinemann, c1998 _w(OCoLC)607118789 |
856 | 4 |
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